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St. Gertrud’s original neo-Romanesque brick architecture from the late 19th century suffered severe damage during the Second World War. The church was rebuilt in a simplified style, and this “broken” architecture lends the building ist distinctive appearance. ",{"children":511,"direction":37,"format":408,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[512],{"detail":47,"format":47,"mode":48,"style":49,"text":513,"type":51,"version":35},"The church’s transformative character is also reflected in recent developments regarding ist function: After the final religious service was held in June 2025, the church is currently transforming into a centre for art, cultureand education. 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Reflecting the key principles of Reformed church design from that era, it features clear, purposeful forms, minimal ornamentation, and a spatial atmosphere reduced to its essential elements. With its tall tower, bright facade and functional hall layout, Markuskirche is a place of focus and simplicity, now reimagined as a potential resonance chamber for contemporary art and dialogue.",{"children":949,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[950],{"detail":47,"format":47,"mode":48,"style":49,"text":951,"type":51,"version":35},"Surrounded by flat-roofed buildings from the same period-such as the adjacent nursery school and community centre, both built in a similar architectural style, Markuskirche also stands as a compelling example of interconnected community architecture.","698f164b42db407533c6da3e",[954,955],6.962213741349497,51.4462672403274,"1961–63","markuskirche","Markuskirche",{"docs":960},[961,964,967,970],{"id":962,"title":963},"698f2a8b662258de2a293802","Augustas Serapinas",{"id":965,"title":966},"698f2a8b662258de2a2937d2","Pele Collective",{"id":968,"title":969},"698f2a8a662258de2a293762","Lilli Lake",{"id":971,"title":972},"698f2a88662258de2a293660","Sara Bichão",{"artisticTeams":974,"coverImages":976,"city":1015,"description":1018,"id":1033,"latitudeLongitude":1034,"yearBuilt":1037,"religion":519,"slug":1038,"title":1039,"participants":1040},[975],{"id":899,"title":900},[977],{"id":978,"alt":37,"caption":979,"url":985,"thumbnailURL":986,"filename":987,"mimeType":60,"filesize":988,"width":470,"height":366,"focalX":64,"focalY":64,"label":37,"createdAt":989,"tags":990,"sizes":991},"698f095e42db407533c6d961",{"root":980},{"children":981,"direction":37,"format":49,"indent":47,"type":53,"version":35},[982],{"children":983,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[984],{"detail":47,"format":47,"mode":48,"style":49,"text":360,"type":51,"version":35},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1.jpg","https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-1240x1860.jpg","0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1.jpg",6423790,"2026-02-13T11:22:06.559Z",[],{"xlarge":992,"large":996,"medium":1000,"thumbnail":1004,"small":1007,"xsmall":1011},{"url":993,"width":470,"height":366,"mimeType":60,"filesize":994,"filename":995},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-3000x4500.jpg",1423492,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-3000x4500.jpg",{"url":997,"width":76,"height":480,"mimeType":60,"filesize":998,"filename":999},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-2420x3630.jpg",986774,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-2420x3630.jpg",{"url":1001,"width":82,"height":485,"mimeType":60,"filesize":1002,"filename":1003},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-1840x2760.jpg",608761,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-1840x2760.jpg",{"url":986,"width":87,"height":489,"mimeType":60,"filesize":1005,"filename":1006},297542,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-1240x1860.jpg",{"url":1008,"width":93,"height":494,"mimeType":60,"filesize":1009,"filename":1010},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-900x1350.jpg",164101,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-900x1350.jpg",{"url":1012,"width":99,"height":499,"mimeType":60,"filesize":1013,"filename":1014},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/0935%20Kulturkirche%20Liebfrauen%20%C2%A9%20Daniel%20Sadrowski(1)-1-300x450.jpg",22610,"0935 Kulturkirche Liebfrauen © Daniel Sadrowski(1)-1-300x450.jpg",{"id":1016,"title":1017},"698f043842db407533c6d377","Duisburg",{"root":1019},{"children":1020,"direction":37,"format":49,"indent":47,"type":53,"version":35},[1021,1025,1029],{"children":1022,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1023],{"detail":47,"format":47,"mode":48,"style":49,"text":1024,"type":51,"version":35},"The Catholic Liebfrauenkirche (1958–1971 by Dr. Toni Hermanns), located in Duisburg’s lively city centre, is one of the most important post-war modernist churches in the Rhine and Ruhr areas. 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The church’s furnishings include preserved elements from its war-destroyed predecessor, as well as exhibits from the Vatican pavilion at the 1958 World Exhibition in Brussels- including the altar with canopy and cross, and mural paintings surrounding mosaics.",{"children":1030,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1031],{"detail":47,"format":47,"mode":48,"style":49,"text":1032,"type":51,"version":35},"While Kulturkirche Liebfrauen still contains rooms used for religious services, the Upper Church has been transformed into an art and cultural centre, with the primary aim of promoting dialogue between religions and cultures.","698f099242db407533c6d98b",[1035,1036],6.769749039499809,51.434490141060245,"1958–1971","kulturkirche-liebfrauen","Kulturkirche Liebfrauen",{"docs":1041},[1042,1045,1048,1051,1054],{"id":1043,"title":1044},"698f2a8c662258de2a29385c","Abbas Zahedi",{"id":1046,"title":1047},"698f2a8c662258de2a29384c","Emil Walde",{"id":1049,"title":1050},"698f2a8b662258de2a2937e2","Elizabeth Price",{"id":1052,"title":1053},"698f2a8a662258de2a293742","Athina Koumparouli",{"id":1055,"title":1056},"698f2a8a662258de2a293712","Julian Irlinger",{"artisticTeams":1058,"coverImages":1060,"city":1102,"description":1105,"id":1112,"latitudeLongitude":1113,"yearBuilt":1116,"religion":519,"slug":1117,"title":1118,"participants":1119},[1059],{"id":726,"title":181},[1061],{"id":1062,"alt":37,"caption":1063,"url":1069,"thumbnailURL":1070,"filename":1071,"mimeType":60,"filesize":1072,"width":1073,"height":1074,"focalX":64,"focalY":64,"label":37,"createdAt":1075,"tags":1076,"sizes":1077},"698f08f842db407533c6d8af",{"root":1064},{"children":1065,"direction":37,"format":49,"indent":47,"type":53,"version":35},[1066],{"children":1067,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1068],{"detail":47,"format":47,"mode":48,"style":49,"text":736,"type":51,"version":35},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2.jpg","https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-1240x1860.jpg","20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2.jpg",19201713,3931,5896,"2026-02-13T11:20:24.624Z",[],{"xlarge":1078,"large":1083,"medium":1087,"thumbnail":1091,"small":1094,"xsmall":1098},{"url":1079,"width":70,"height":1080,"mimeType":60,"filesize":1081,"filename":1082},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-3240x4860.jpg",4860,3652424,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-3240x4860.jpg",{"url":1084,"width":76,"height":480,"mimeType":60,"filesize":1085,"filename":1086},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-2420x3630.jpg",2172148,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-2420x3630.jpg",{"url":1088,"width":82,"height":485,"mimeType":60,"filesize":1089,"filename":1090},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-1840x2760.jpg",1305925,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-1840x2760.jpg",{"url":1070,"width":87,"height":489,"mimeType":60,"filesize":1092,"filename":1093},621396,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-1240x1860.jpg",{"url":1095,"width":93,"height":494,"mimeType":60,"filesize":1096,"filename":1097},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-900x1350.jpg",330835,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-900x1350.jpg",{"url":1099,"width":99,"height":499,"mimeType":60,"filesize":1100,"filename":1101},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250709_MANIFESTA16_UrbanVisionPresentation_%C2%A9_Anton_Vichrov-6-2-300x450.jpg",39479,"20250709_MANIFESTA16_UrbanVisionPresentation_©_Anton_Vichrov-6-2-300x450.jpg",{"id":1103,"title":1104},"698f042342db407533c6d322","Gelsenkirchen",{"root":1106},{"children":1107,"direction":37,"format":49,"indent":47,"type":53,"version":35},[1108],{"children":1109,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1110],{"detail":47,"format":47,"mode":48,"style":49,"text":1111,"type":51,"version":35},"Among the venues of Manifesta 16, St. Josef (1894–1896 by Lambert von Fisenne, 1912 sacristy construction by Josef Franke) holds a unique position: unlike the selected modernist buildings, it features neo-Gothic and Classicist elements. Closed since 2023, the church’s parish house has served as Manifesta 16’s headquarters since summer 2025. 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Situated in Gelsenkirchen-Erle, a district shaped by suburban development, the church was conceived as a purpose-built replacement for the previous “shop church” located beneath a parish apartment, its compact size reflecting the needs of the growing community at the time. Architecturally, the building is defined by its contrasting forms: the eastern end curves upward in a bow-like shape, while the western facade is sharply cut off to accommodate the main entrance. Inside, Thomaskirche embodies a conscious departure from traditional liturgical hierarchies. 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Originally consecrated in 1908, the first church was destroyed during World War II and rebuilt in 1970 by the architect Dr. Paul Günther. The modern building captivates with its harmonious integration of architecture and functionality. A special highlight is the glass artwork by Johannes Beeck from 1972, which gives the interior a distinctive atmosphere. ",{"children":1322,"direction":37,"format":408,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1323],{"detail":47,"format":47,"mode":48,"style":49,"text":1324,"type":51,"version":35},"Since its closure in 2007, the church has found a new purpose: the Sozialwerk St. Georg has taken over the premises and transformed it into an inclusive meeting centre. St. Anna has turned from an architectural landmark to a vibrant place of encounter and solidarity — a prime example of the successful repurposing of a church building into a social hub. ","698f07ea42db407533c6d7a4",[1327,1328],7.083657539504929,51.53180420750062,"1908, rebuilt 1970","st-anna-gelsenkirchen","St. Anna",{"docs":1333},[1334,1337,1340,1343,1346,1349,1352,1355,1358,1361],{"id":1335,"title":1336},"69b9654f0adc6082f095b76e","İhsan Ece",{"id":1338,"title":1339},"69b7cb94ca9c369b97a6dd28","Jannis Psychopedis",{"id":1341,"title":1342},"69b7ca5dca9c369b97a6d64d","Cana Bilir-Meier",{"id":1344,"title":1345},"69b27ed67018fb8051064175","Cihangir Gümüştürkmen",{"id":1347,"title":1348},"69b18c390e7dc901e5a4938e","Mesut-Sabuha Salaam",{"id":1350,"title":1351},"69985e2b4c67cdc482e2f797","Philipp Gufler",{"id":1353,"title":1354},"69985ddf4c67cdc482e2f71e","Gašper Kunšič",{"id":1356,"title":1357},"69985cde4c67cdc482e2f58c","Hanefi Yeter",{"id":1359,"title":1360},"699492e68a247acdb0d57139","Ming Wong",{"id":1362,"title":1363},"698f2a87662258de2a29353d","Emre Abut",{"artisticTeams":1365,"coverImages":1367,"city":1414,"description":1415,"id":1426,"latitudeLongitude":1427,"yearBuilt":421,"religion":519,"slug":1430,"title":1431,"participants":1432},[1366],{"id":1133,"title":1134},[1368],{"id":1369,"alt":37,"caption":1370,"url":1376,"thumbnailURL":1377,"filename":1378,"mimeType":60,"filesize":1379,"width":1380,"height":1381,"focalX":64,"focalY":64,"label":37,"createdAt":1382,"tags":1383,"sizes":1384},"698f061c42db407533c6d5a1",{"root":1371},{"children":1372,"direction":37,"format":49,"indent":47,"type":53,"version":35},[1373],{"children":1374,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1375],{"detail":47,"format":47,"mode":48,"style":49,"text":736,"type":51,"version":35},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov-.jpg","https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--1240x1250.jpg","20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov-.jpg",33793975,6759,6813,"2026-02-13T11:08:12.468Z",[],{"xlarge":1385,"large":1390,"medium":1395,"thumbnail":1400,"small":1404,"xsmall":1409},{"url":1386,"width":70,"height":1387,"mimeType":60,"filesize":1388,"filename":1389},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--3240x3266.jpg",3266,2235098,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--3240x3266.jpg",{"url":1391,"width":76,"height":1392,"mimeType":60,"filesize":1393,"filename":1394},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--2420x2439.jpg",2439,1330473,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--2420x2439.jpg",{"url":1396,"width":82,"height":1397,"mimeType":60,"filesize":1398,"filename":1399},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--1840x1855.jpg",1855,804864,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--1840x1855.jpg",{"url":1377,"width":87,"height":1401,"mimeType":60,"filesize":1402,"filename":1403},1250,380367,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--1240x1250.jpg",{"url":1405,"width":93,"height":1406,"mimeType":60,"filesize":1407,"filename":1408},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--900x907.jpg",907,207350,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--900x907.jpg",{"url":1410,"width":99,"height":1411,"mimeType":60,"filesize":1412,"filename":1413},"https://m16-stack.fra1.cdn.digitaloceanspaces.com/20250719_St_Bonifatius_Gelsenkirchen_%C2%A9_Anton_Vichrov--300x302.jpg",302,24192,"20250719_St_Bonifatius_Gelsenkirchen_©_Anton_Vichrov--300x302.jpg",{"id":1103,"title":1104},{"root":1416},{"children":1417,"direction":37,"format":49,"indent":47,"type":53,"version":35},[1418,1422],{"children":1419,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1420],{"detail":47,"format":47,"mode":48,"style":49,"text":1421,"type":51,"version":35},"Among the church buildings in Gelsenkirchen, St. Bonifatius (1963 by Ernst von Rudloff) stands out as a compelling example of how former houses of worship can be creatively repurposed. Originally a post-war church from the 1960s, the building was reimagined in the context of Urbane Künste Ruhr. This artistic organisation transformed the former church into a vibrant meeting place, fostering close collaboration between artists, local residents and a wider community of stakeholders.",{"children":1423,"direction":37,"format":49,"indent":47,"type":52,"version":35,"textFormat":47,"textStyle":49},[1424],{"detail":47,"format":47,"mode":48,"style":49,"text":1425,"type":51,"version":35},"Continuing this evolution, Manifesta 16 Ruhr will further transform St. Bonifatius into an exhibition venue, inviting visitors to engage in creative experiences and cultural exchange.","698f068242db407533c6d5da",[1428,1429],7.096252595328314,51.55591869725511,"st-bonifatius","St. Bonifatius",{"docs":1433},[1434,1437,1440,1443,1446,1449,1452,1455,1458,1461,1464,1467,1470,1473],{"id":1435,"title":1436},"69b7cc2cca9c369b97a6e077","Yıldız Tüzün",{"id":1438,"title":1439},"69b7cb54ca9c369b97a6dc4c","Mihály Moldvay",{"id":1441,"title":1442},"69b7cadbca9c369b97a6d9e3","Füruzan ‎",{"id":1444,"title":1445},"69b181cc0e7dc901e5a46412","Begzada Alatović",{"id":1447,"title":1448},"69985da84c67cdc482e2f6e5","İsmail Çoban",{"id":1450,"title":1451},"69985d754c67cdc482e2f6af","Metin Talayman",{"id":1453,"title":1454},"69985d584c67cdc482e2f673","Vlassis Caniaris",{"id":1456,"title":1457},"69985d3a4c67cdc482e2f635","Rıza Topal",{"id":1459,"title":1460},"69985cfe4c67cdc482e2f5c7","Akbar Behkalam",{"id":1462,"title":1463},"698f2a8a662258de2a29376a","Justin Lieberman",{"id":1465,"title":1466},"698f2a8a662258de2a293732","Merve Kaplan",{"id":1468,"title":1469},"698f2a89662258de2a29370a","Judith Hopf",{"id":1471,"title":1472},"698f2a88662258de2a293678","Bureau Baubotanik",{"id":1474,"title":1475},"698f2a88662258de2a29362c","Özlem Altın",12]